Art Investment Guide

June 27th, 2009

Art Investment Guide

Second only in size to the US market, The UK art and antiques market is worth well over £4 billion a year, and holds a global share of some 26% of the world’s total art sales. In terms of volume, the UK is the largest marketplace for art on the planet.(1). In 2005, the index covering sales of old masters showed growth of 18.8%, while the similar index covering post-war and contemporary art rose 8.3%. Over the past five years, the average annual returns were 3.1% and 17.7% respectively.(2). That’s a better return than investing in stocks and shares.

Buying art can represent a fantastic long-term investment opportunity. In order to help you make an informed decision on the art you buy through The Art Ministry website, we have put together some key considerations to bear in mind when selecting work from our galleries. With over 25 years’ experience in the art market, our team have followed the same steps to ensure all work available in our Online Store is fairly valued.

1. Buy what you like

It’s important to trust your own taste when buying art. Our aim in providing this collection is to offer artwork for every budget that adds interest to your home or office, a talking point that enriches your environment and lifestyle. Great art needn’t be expensive, and buying artwork should primarily be an expression of your own personality. Like stocks and shares, the value of artwork can go up or down, so it’s crucial you buy what you like and can afford. Ultimately the true value of art is in the pleasure or feelings it evokes. The more people that find it appealing the more demand increases, which inevitably increases the value.

2. Do your homework and understand the value of the work

When you view a piece of artwork to buy, pay attention to detail. If you look into the way it has been physically created, how much time it took and the journey the artist went through in producing the piece, you will come to appreciate the skill of the artist and the effort involved in making the work. When it comes to value, don’t be taken in by the medium either. For example, oil paintings are in general more expensive than watercolours, but the latter can require more skill to achieve the desired impression.

The more artwork you look at and the more background information you obtain on various artists and how they work, the more you will learn what you like and why. Comparing the merits of a work with other artist’s work will help you determine the inherent value in any given piece and assist your buying decision. If you want to know what similar work has sold for, use a source like The Art Sales Index, which has catalogued art prices since the 1950’s, or the Mei/Moses Fine Art Index, which tracks various auction price indexes and compares them to the stock exchange to gauge relative performance.

The comparative merits include:

  • The artist’s exhibition history
  • The nationality of the artist
  • What country the artist works in
  • The medium the artist uses
  • The size and dimensions of the piece
  • The price their work has sold for in the past

3. Buy from a reputable dealer

Only buy artwork from a reputable dealer. The best ones will provide extensive background information on the artists in their portfolio, giving details on how they work and what inspires them. Knowing the artist’s passion might also help you find a work that is right for you. Click here to read ‘About the Artists’ at The Art Ministry.

Reputable dealers will also provide a ‘Certificate of Authenticity’ with all original and limited edition artwork sold. This will be signed by the artist and proves the work is 100% genuine and has been accurately valued. These also include the following information:

  • The title and visual description of the artwork
  • Edition numbers and collection details
  • Materials and techniques used
  • Size and dimensions of the work
  • The copyright holder
  • Distributor details
  • Release date of the artwork
  • Printer’s details if relevant
  • Comments from the artist
  • Notes on caring for the artwork

Sources:

1. The House of Commons Select Committee on Culture, Media and Sport (Sixth Report)

2. ‘Is it just art, or is it investment?’ by Joe Bolger, Times Online 17th April 2006, quoting figures from the Mei/Moses Fine? Art Index

If you require more assistance with buying art from our website, please to contact us, alternatively, feel free to browse our to view the work of all our artists.

About Isa Genzken Exhibitions and Paintings at Saatchi-gallery

June 27th, 2009

Isa Genzken was born on 1948 in Bad Oldesloe and currently lives and Works in Berlin, Germany.Urlaub possesses a ridiculous elegance, caught between high design and holiday festivity. Drawing from the Minimalist concept of objective abstraction, Genzken’s work straddles the spheres of formalist purity and narrative interpretation. Entrenched in the process of making, Genzken’s work is the result of her own intimate interaction with materials, tempering the procedure of formal decision-making with the spontaneity of imaginative play. Kitsch objects such as plastic leaves, figurines, and an oversized wine glass carry their own associative references while operating as neutral compositional elements of shape, colour, and texture. Urlaub exudes escapist fantasy while retaining a refined order, culminating as surreal microcosm of caprice vs. rationale.

Isa Genzken EDUCATION:

1993-1997
• Düsseldorf Art Academy

1993-1975
• Studied Art History and Philosophy at the University of Cologne

1971-1973
• Berlin University of Fine Arts

1969-1971
• Hamburg College of Fine Arts

SOLO EXHIBITIONS

2005
• Der Spiegel 1989-1991: Isa Genzken, The Photographers Gallery, London, UK
• Kinder filmen, Galerie Daniel Buchholz, Cologne, Germany
New Work, David Zwirner, New York, NY

2004
• Wasserspeier and Angels, Hauser & Wirth, London, UK
• China Art Objects, Los Angeles, CA
• International Art Prize, Cultural Donation of SSK Munich, Munich, Germany

2003
• Isa Genzken, Kunsthalle Zürich, Zürich, Switzerland [catalogue]
• Empire Vampire Teil II, Städtische Galerie im Lenbachhaus Kunstbau, Munich, Germany
• The Wrong Gallery, New York, NY

2002
• Haare wachsen, wie sie wollen, Skulpturenprojekt Galerie Meerrettich (Josef Strau), Berlin, Germany
• Museum Abeiberg Mönchengladbach [catalogue]
• Wolfgang-Hahn-Preis, Museum Ludwig, Cologne, Germany

2001
• Galerie Daniel Buchholz, Cologne, Germany
• Magnani, London, UK
• Science Fiction/Heir und jetzt zufrieden sein, AC-Saal (with Wolfgang Tillmans),
• Museum Ludwig, Cologne, Germany [catalogue]

Conclusions:
Isa Genzken has been making a name for herself with an oeuvre including sculpture, photography, film, video, works on paper and canvas, collages and books.

What to Do Next…

If you want any information about Isa Genzken or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/isa_genzken.htm

Corporate Entertainment Magic

June 27th, 2009

When organizing a corporate event entertainment, there are several types of things to be considered. Corporate events require a significant amount of preparation. Depending upon the type of event which is being organized, you will need to consider the possibility of the event, which is going to be attended by different types of people, the place, ambience, food and many other things. The entertainment hired for the occasion can make the difference either a grand appreciation or a depressing breakdown. What kind of performers should you hire? What will your audience appreciate? What might offend them? Each of these questions can play a major role in choosing the proper corporate event entertainment. The performances put forth by the performers can impact the success of your event and the type of entertainment you have organized, also matters how much your audience will remember and for how long.

When entertainment matters, the type of performers you hire will depend largely upon the type of crowd your event will attract. For certain events, like, an awards event that is held for an industry with a large older population may not be well-matched rather can’t accept a rock band. Likewise, on the other hand, if you have organized an event to celebrate your company’s product launch, you may consider using acrobats and magic as well to excite your audience.

If you want to create a different impact and make your corporate event a memorable one, you have to make your corporate event to go smoothly, of course. However, you can easily aspire higher and make your event memorable. When your guests are leaving your corporate event, they will surely have a long lasting impression of it. Within few days, the impression might dilute, until and unless there was something special that created an impression, a memory for them. An incredible light show, an amusing comedian, amazing magic by professional magicians or a professional speaker can each leave a constructive impression in your guests’ minds.

There are a number of reasons to hire live entertainment for your corporate affair and thereby making a great impression. A well-tuned performance can rejuvenate your guests and capture their attention.

Making great impressions is how a performer and the crew of characters gather attention — attention on television, in film, and at all kinds of corporate entertainment venues. By no means is a typical standup comedian, a unique performer, and experienced corporate event entertainment professional that will delight your audience while keeping a clear eye toward helping you to achieve your meeting’s goals and objectives.

The audience at your corporate entertainment event will be overjoyed and focused as a magician or a comedian brings the evening alive to entertain you, and to memorably deliver your important messaging. In such ways they help you to improve office communications. People at the gathering, know and remember the corporate event and its messages for a longer time, which results in greater enthusiasm and performance.  So that’s what corporate entertainment is! Choosing the correct entertainment for the audience and the overall goals of the event is fifty-fifty percent of the solution. Each event is different and is treated on a different note and in a different manner on the basis to produce the very best performance, stage decorations and sound coverage.

Different corporate magicians give a different performance in different forms of events entertainment from corporate events, party entertainment and Christmas entertainment. All the entertainment is to the highest standard, is tried and time tested and comes highly recommended by all. All entertainment ranges from the best acts and entertainers. All corporate entertainment performers have one simple philosophy is to provide high class entertainment that suits the hosts needs and that will fully guarantee the success of their event.